Describing “Only the Good Survive” as a heist-turned-horror film is like calling Panos Cosmatos’ “Mandy” a movie where Nicolas Cage avenges his murdered girlfriend. That’s not technically wrong, but there are so many more toppings on that pizza. At this year’s Brooklyn Horror Film Festival, “Only the Good Survive” was introduced to us as an “energetic pop punk horror heist thriller.” There might not be a better descriptor, but let’s give it a whirl. That’s what film festivals are for, aren’t they?
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