Much of what makes high-drama horror films work is that they use horror as a secondary or tertiary element, but not the primary. The King Tide is such a film. One where the drama is the start of the show, and the horror is subtle yet recognizable, but does it achieve the balance of pleasing both sides of an extreme?
Read MoreOver 40 years after it’s release, we look back on Jean-Claude Lord’s Canadian slasher, VISITING HOURS (1982).
Read MoreThe BRIGHT HILL ROAD team is back together, and they are taking their award-winning short ROMI and giving it the feature-length treatment!
Read MoreCanadian distribution company, Indiecan Entertainment, responsible for such films as CLAPBOARD JUNGLE, GRAVE ENCOUNTERS 2, BEYOND THE INFINITE TWO MINUTES, and HAIL TO THE DEADITES, are launching a new genre-focused, Red Water Entertainment, with six new titles set to release in Fall of 2022.
Read MoreThe new paranormal, found-footage style film, GODFORSAKEN, will premiere on Terror Films Channel on March 25th, with a worldwide release on Digital and VOD on April 22nd.
Read MoreCanadian-produced pandemic horror film WORLD ENDS AT CAMP Z brings a zombie flare to pandemic horror!
Read MoreMacabre Daily's own Matt Orozco (Macabre Matty) speaks with four Canadian filmmakers to uncover what makes Canadian horror different from other North American horror films. Matt is joined by Canadian filmmakers Robert Cuffley and Susie Maloney of "Bright Hill Road" as well as James Watts and Kelly Kay of "Death Trip" to get their take on this topic. They share their thoughts on what makes Canadian horror unique, ways to support the Canadian horror community, and even drop some amazing recommendations for those looking to expand their horror horizons!
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