Brandon Cronenberg’s first film, “Antiviral,” has been given the deluxe treatment from the folks over at Severin Films alongside a brand-new 4K UHD scan, and it’s time we revisit the feature that made the career for one of horror’s most recognizable surname.
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Provocateur filmmaker Bruce LaBruce seeks to upend sexual stigma, or at the very least bring it back to theaters with his latest film, “The Visitor.” Is this transgressive adult sci-fi film the beginning of a sexual revolution on screen?
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It’s just as easy to be a skeptic as it is a believer in our current era and it can lead to greater curiosity in how we can objectively prove things that previously have been elusive. Enter Director Liam Le Guillou and his documentary, “A Cursed Man” which seeks to prove the seemingly unprovable; are curses real?
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The latest in public-domain horror is “Popeye the Slayer Man,” from Director and Co-Writer Robert Michael Ryan from VMI Worldwide and Salem House Films. You’ve seen us promote the film for the last two weeks, but now we see if the spinach is all that’s rotten in Popeye’s last escapades.
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Editor-in-Chief Matt Orozco and Contributor Sean O'Connor watched the new Flying Lotus film, "ASH," and sat down to discuss what was successful and what didn't quite land. They discuss the eye-popping visual, the incredible score, the lackluster script, and more. Enjoy the show!
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Severin Films, a champion of international genre films, has recently put out a 4K UHD release of the 1991 French film, “Delicatessen” co-directed by Jean-Pierre Jeunet and Marc Caro. Is this darkly humorous post-apocalyptic French hellscape the kind of escapism worth diving head into?
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We review the new Bill Skarsgård, Anthony Hopkins film, "Locked," and find it another example of a watered-down version of an intense, well-made international feature. Read on to see what, if anything, we liked and what made us wish we had stayed in our car.
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One of the rarest things is seeing a son remake his father’s film 40 years later, and that’s the case with Lamberto Bava’s “The Mask of Satan.” Severin Films releases this for the first time in North America but does this remake or reboot stand toe-to-toe with Mario Bava’s classic, “Black Sunday?”
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The Boogeyman Is Back With “Revenge of the Boogeyman” (2025). It will be available on digital platforms March 18th.
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Innovation is about making the right bet, and that's the case with Universal Pictures’ “Wolf Man” by co-writer/director Leigh Whannell, but does this risky bet pay off in full or does it go into creative bankruptcy?
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Unearthed Films have dipped their toes in the 4K UHD waters for the first time for their release of “Evilenko,” which is both written and directed by David Grieco. Is this true crime adaptation more fact or more fiction?
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A Found Footage Nightmare That Lingers With “The Ceremony Is About to Begin” (2024) (Review). Available now on digital platforms like Prime Video.
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The single location and threat from outside is a trope we’ve seen across sub-genres, and that’s the premise of “Don’t Turn Out The Lights” from writer/director Andy Fickman and on digital in the UK through 101 Films on March 17, 2025.
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Guest Contributor Brian Finnerty shares his thoughts on Ben Bauer's "THERE'S A ZOMBIE OUTSIDE" and why it is "the gay zombie movie you needed"
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Dark Sky Films' "ARE YOU THERE" tackles the well-worn topic of mental health in horror, but does it offer up something novel enough to stand out?
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Does “Halloween Candy” (2025) Offer Up A Spooky Sugar Rush? Be sure to watch this movie when it is released on March 21st on many digital platforms.
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Having just premiered at the SXSW Film and TV Festival, "Sweetness" looks to join the list of highly entertaining, chilling, teen obsession movies. When a young girl gets the chance of a lifetime to nurse her pop idol crush back to health, what could possibly go wrong? Read on for our review of this extraordinarily well made film.
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Filmmaker John Bonner shares his retro 50s-style horror throwback short, "THEY'RE COMING TONIGHT" which is available to watch now on Omeleto's YouTube page!
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It isn’t easy to adapt one’s self, let alone try to reframe a story under a different context, but that’s the charge with Shal Ngo and Hulu’s latest original, “Control Freak” which is set to release on March 13, 2025. Is this a welcome expansion of the previously bite-sized work, or does this work better in smaller doses?
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The rarest of the "horror comedy" variants is the “more funny than scary” one, and it’s also the backing for DREAD Presents latest original release, “For Sale By Exorcist” Directed by Melissa LaMartina and heading to VOD on March 11, 2025. Is it worth putting in an offer for?
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