SUMMER SCARES: Macabre Daily's Most Anticipated Horror Novels for JULY 2023

It’s officially summer and July is bringing the HEAT with highly anticipated new horror releases. Between debuts, sequels, and short story collections, these authors are making it a spooky summer. Say “hello” to hot horror summer and turn on the AC while you feast on these new works of freakish fiction. 

At the End of Every Day by Arianna Reiche (July 4)

Delphi has spent years working at a vast and iconic theme park in California after fleeing a trauma in her rural hometown. But following the disturbing death of a beloved Hollywood starlet on the park grounds, Delphi is tasked with shuttering it for good.

Meanwhile, two siblings with ties to the park exchange letters, trying to understand why people who work there have been disappearing. Before long, they learn that there’s a reason no one is meant to see behind its carefully guarded curtain…

What happens when the park empties out? And what happens when Delphi, who seems remarkably at one with it, is finally forced to leave?

Disasterpieces by Wesley Southard and Wile E. Young (July 4)
Disasters come in all shapes and sizes. They can be as intimate as a house fire. As unpredictable as a sinkhole. As random as a car crash. Or as overwhelming as a landslide.

But what about the bigger ones? The ones that can affect hundreds―if not thousands―of people all at once. The ones that trigger wide-spread destruction and disorder. That push ordinary individuals to their limits, forcing them to rise above the devastation…or drown in the disarray and hysteria. 

Award-winning authors Wesley Southard and Wile E. Young bring you “Everybody Wants to Rule the World” and “Rivers of Mercy”, two brand new novellas of natural and man-made catastrophes, and the fateful souls thrust into their unpredictable chaos.

Disasterpieces… The damage isn’t the only thing to be frightened of…

Boys in the Valley by Philip Fracassi (July 11)

St. Vincent's Orphanage for Boys.

Turn of the century, in a remote valley in Pennsylvania.

Here, under the watchful eyes of several priests, thirty boys work, learn, and worship. Peter Barlow, orphaned as a child by a gruesome murder, has made a new life here. As he approaches adulthood, he has friends, a future...a family.

Then, late one stormy night, a group of men arrive at their door, one of whom is badly wounded, occult symbols carved into his flesh. His death releases an ancient evil that spreads like sickness, infecting St. Vincent's and the children within. Soon, boys begin acting differently, forming groups. Taking sides.

Others turn up dead.

Now Peter and those dear to him must choose sides of their own, each of them knowing their lives ― and perhaps their eternal souls ― are at risk.

The Beast You Are by Paul Tremblay (July 11)  

Paul Tremblay has won widespread acclaim for illuminating the dark horrors of the mind in novels and stories that push the boundaries of storytelling itself. The fifteen pieces in this brilliant collection, The Beast You Are, are all monsters of a kind, ready to loudly (and lovingly) smash through your head and into your heart.

In “The Dead Thing,” a middle-schooler struggles to deal with the aftermath of her parents’ substance addictions and split. One day, her little brother claims he found a shoebox with “the dead thing” inside. He won’t show it to her and he won’t let the box out of his sight. In “The Last Conversation,” a person wakes in a sterile, white room and begins to receive instructions via intercom from a woman named Anne. When they are finally allowed to leave the room to complete a task, what they find is as shocking as it is heartbreaking.

The title novella, “The Beast You Are,” is a mini epic in which the destinies and secrets of a village, a dog, and a cat are intertwined with a giant monster that returns to wreak havoc every thirty years.

Sucker: by Daniel Hornsby (July 11)

Chuck Gross would like nothing more than to prune himself from his family tree. He’s already clipped his name, turning Charles Grossheart, Jr.—son of a billionaire labor exploiter, weapons manufacturer, and climate change denier—into ordinary good-guy Chuck, the “self-made” proprietor of an up-and-coming punk label. But when Daddy threatens to cut him off, Chuck is forced to get a “real job”—and conveniently, an old college friend has just swept back into his life with the perfect opportunity. 

Famed Harvard dropout and biotech darling Olivia Watts says she is on the verge of totally reinventing the field of medicine, but when Chuck signs on, he soon discovers that things at the vast Kenosis campus are not quite how they appear. Secret labs, vanished employees, and mutated test subjects seem to be as impossible as they are sinister. Is Olivia simply a scammer, or does her technology threaten to usher humanity toward a far bloodier fate? Moreover, does Chuck—who has never accomplished anything without the aid of Daddy’s money—stand a chance of stopping her? Daniel Hornsby hilariously skewers the insatiable hungers of the ultrarich in a novel that no one will be able to resist sinking their teeth into.

The Carnivale of Curiosities by Amiee Gibbs (July 11)

In Victorian London, where traveling sideshows are the very pinnacle of entertainment, there is no more coveted ticket than Ashe and Pretorius' Carnivale of Curiosities. Each performance is a limited engagement, and London's elite boldly dare the dangerous streets of Southwark to witness the Carnivale's astounding assemblage of marvels. For a select few, however, the real show begins behind the curtain. Rumors abound that the show’s proprietor, Aurelius Ashe, is more than an average magician. It's said that for the right price, he can make any wish come true. No one knows the truth of this claim better than Lucien the Lucifer, the Carnivale's star attraction. Born with the ability to create fire, he's dazzled spectators since he was a boy.

When Odilon Rose, one of the most notorious men in London, comes calling with a proposition regarding his young and beautiful charge, Charlotte, Ashe is tempted to refuse. After revealing, however, that Rose holds a secret that threatens the security of the troupe's most vulnerable members, Ashe has no choice but to sign an insidious contract.

The stakes grow higher as Lucien finds himself drawn to Charlotte and her to him, an attraction that spurs a perilous course of events. Grave secrets, recovered horrors, and what it means to be family come to a head in this vividly imagined spectacle—with the lives of all those involved suspended in the balance.

The Militia House by John Milas (July 11)

It’s 2010, and the recently promoted Corporal Loyette and his unit are finishing up their deployment at a new base in Kajaki, Afghanistan. Their duties here are straightforward―loading and unloading cargo into and out of helicopters―and their days are a mix of boredom and dread. The Brits they’re replacing delight in telling them the history of the old barracks just off base, a Soviet-era militia house they claim is haunted, and Loyette and his men don’t need much convincing to make a clandestine trip outside the wire to explore it. 

It’s a short, middle-of-the-day adventure, but the men experience a mounting agitation after their visit to the militia house. In the days that follow they try to forget about the strange, unsettling sights and sounds from the house, but things are increasingly . . . not right. Loyette becomes determined to ignore his and his marines’ growing unease, convinced that it’s just the strain of war playing tricks on them. But something about the militia house will not let them go.

Dead Funny: The Humor of American Horror (July 14)

Horror films strive to make audiences scream, but they also garner plenty of laughs. In fact, there is a long tradition of horror directors who are fluent in humor, from James Whale to John Landis to Jordan Peele. So how might horror and humor overlap more than we would expect?

Dead Funny locates humor as a key element in the American horror film, one that is not merely used for extraneous “comic relief” moments but often serves to underscore major themes, intensify suspense, and disorient viewers. Each chapter focuses on a different comic style or device, from the use of funny monsters and scary clowns in movies like A Nightmare on Elm Street to the physical humor and slapstick in movies ranging from The Evil Dead to Final Destination.  Along the way, humor scholar David Gillota explores how horror films employ parody, satire, and camp to comment on gender, sexuality, and racial politics. Covering everything from the grotesque body in Freaks to the comedy of awkwardness in Midsommar, this book shows how integral humor has been to the development of the American horror film over the past century. 

Silver Nitrate by Silvia Moreno-Garcia (July 18)

Montserrat has always been overlooked. She’s a talented sound editor, but she’s left out of the boys’ club running the film industry in ’90s Mexico City. And she’s all but invisible to her best friend, Tristán, a charming if faded soap opera star, though she’s been in love with him since childhood.

Then Tristán discovers his new neighbor is the cult horror director Abel Urueta, and the legendary auteur claims he can change their lives—even if his tale of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like sheer fantasy. The magic film was never finished, which is why, Urueta swears, his career vanished overnight. He is cursed.

Now the director wants Montserrat and Tristán to help him shoot the missing scene and lift the curse . . . but Montserrat soon notices a dark presence following her, and Tristán begins seeing the ghost of his ex-girlfriend.

As they work together to unravel the mystery of the film and the obscure occultist who once roamed their city, Montserrat and Tristán may find that sorcerers and magic are not only the stuff of movies.

The Legend of Charlie Fish by Josh Rountree (July 25)

As always, Floyd Betts rides into town alone. He arrives for his father’s funeral, but he is returning to Galveston, Texas, with two orphaned siblings he has rescued. Nellie, who is descended from a long line of witches, has visions from other people’s minds. Hank, her impulsive younger brother, just wants to break out his outsized revolver.

Along the way home, Floyd, Nellie, and Hank encounter a dubious traveling salesman, Professor Finn, and his henchman, Kentucky Jim. They are struggling to capture a fish-man in order to put him on cruel display. When Nellie taps into the peril of the gentle Charlie Fish, Floyd’s makeshift family expands to include the lost, two-legged amphibian.

With the circus charlatans in pursuit, ominous winds are picking up from an impending hurricane. Meanwhile, all Charlie Fish wants is to return to his home at sea.

Looks like my summer reading list just got much longer. Scary summer continues and I hope you will celebrate with me by picking up one of these new spooky reads.

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