Posts tagged Fons PR
FANTASTIC FEST 2024: Isaac Ezban Talks About Making Zombies Family in "PÁRVULOS" (INTERVIEW)

We are honored and privileged to have partaken in Fantastic Fest 2024 this year, and thank you to our partners at Fons PR! Now, let’s get to the good stuff with an interview with Isaac Ezban (Writer + Director), of “Párvulos” (read our review here)!

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FANTASTIC FEST 2024: In "BOOKWORM" (2024) Ant Timpson And Elijah Wood Talk Fantasy And Fatherhood (INTERVIEW)

During our time at Fantastic Fest, we had a chance to sit down with Ant Timpson and Elijah Wood to talk about “Bookworm” and we will be sharing our review next week. For now, enjoy the interview (we sure did!) and you can catch “Bookworm” in theaters and VOD on October 18, 2024!

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"THE SUBSTANCE" (2024) Is Coralie Fargeat's Gloriously Grotesque Stoke Of Genre Genius (REVIEW)

With Fargeat’s most recent film, “The Substance” from MUBI starring Demi Moore we get an intimate and explosive look at beauty and society's objectification and fetishization of how women look. Is it a future body horror classic or lacking some titular “substance”?

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Trailers For Every Game Appearing At FANTASTIC FEST'S FANTASTIC GAMES Presented By DAY OF THE DEVS!

Take a look at all the trailers for games appearing at the inaugural FANTASTIC GAMES presented by DAY OF THE DEVS at FANTASTIC FEST 2024!

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In "CONSUMED" (2024), Survival Horror And Tragedy Collide (REVIEW)

“Consumed”, the newest survival horror film from the directing/producing team The Butcher Brothers (Mitch Altieri and Phil Flores respectively) tackles both the literal and metaphorical examples of resilience, but are viewers going to survive to the end or get eaten up in the process?

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"ODDITY" (2024) Is Proof Horror Is Still Original AF (REVIEW)

Damain McCarthy's debut feature, “Caveat” was one of our favorite films of 2020, a year rife with lots of strange times and events. His follow-up film, “Oddity” is coming to theaters on July 19, 2024, but does this second outing continue the trend of original horror IP, or does it feel more of the same?

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"IN A VIOLENT NATURE" (2024) Takes A Killer POV To Bloody Extremes

Without daring risks to the formula, we wouldn’t have modern classics like Scream or Terrifier so ingenuity can be a good thing for expanding or adapting the genre. This is what Shudder and IFC Films have set out to do with Chris Nash’s “In A Violent Nature”. Does the much-touted slasher flick send shockwaves across the slasher genre, or is the hype more hyperbole than horror?

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